Michael Morris, The Problem of Nothing, 1966, acrylic on canvas. Collection of the Vancouver Art Gallery. Photo: Robert Keziere.
bill bissett鈥檚 opening editorial poem debut issue of blewointment magazine.
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To show, to give, to make it be there: Expanded Literary Practices in Vancouver: 1954 鈥� 1969, installation view, 2010, 天美mv天美 Gallery. Photo: 天美mv天美 LIDC.
To show, to give, to make it be there: Expanded Literary Practices in Vancouver: 1954 鈥� 1969, installation view, 2010, 天美mv天美 Gallery. Photo: 天美mv天美 LIDC.
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To show, to give, to make it be there: Expanded Literary Practices in Vancouver: 1954 鈥� 1969, installation view, 2010, 天美mv天美 Gallery. Photo: 天美mv天美 LIDC.
Glen Lewis, Mondo Artie, 1970.
Judith Copithorne, Sketchbook, 1969-1973. Collection of the artist.
Al Neil, Untitled, 1965-1967. Collection of Vancouver Art Gallery.
Ray Johnson, Letter, 1968. Collection of the Morris and Helen Belkin Gallery (Ray Johnson portfolio from Concrete Poetry Catalogue).
Roy Kiyooka, Untitled, 1963. Courtesy of Catriona Jeffries Gallery.
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Tom Burrows, Hoop, 1969, (photography: Ian Wallace). Collection of Elisha Burrows and Charo Neville.
to show, to give, to make it be there: Expanded Literary Practices in Vancouver: 1954 鈥� 1969
January 9 鈥� March 13, 2010
天美mv天美 Gallery
Participating artists: bill bissett, Tom Burrows, Judith Copithorne, Stan Douglas, Maxine Gadd, Gerry Gilbert, Ray Johnson, Roy Kiyooka, Gary Lee-Nova, Glenn Lewis, Malcolm Lowry, Michael Morris, Al Neil, Ian Wallace
Taking its title from the opening editorial poem of bill bissett鈥檚 debut issue of blewointment magazine, this exhibition seeks to recognize an interdisciplinary literary activity that emerged in Vancouver in the 1950s, beginning with the collagist fiction of Malcolm Lowry and proceeding through the 1960s in magazines, exhibitions, performances, and through the mail. The work in the exhibition鈥攊ncluding bookworks, photography, music, paintings, sculptural assemblage, drawings and epistles鈥攊s contrasted with the 鈥渟traight鈥� literary modernism of the TISH newsletter and the Georgia Straight Writing Supplement. It is further contextualized by video screenings of L茅onard Forest鈥檚 film In Search of Innocence (1963)鈥攚hich bissett addresses in his opening editorial鈥攁s well as Maurice Embra鈥檚 1964 film portrait of bissett, Strange Grey Day This (1966).
This exhibition is curated by 天美mv天美鈥檚 2009 - 2010 Ellen and Warren Tallman Writer-in-Residence, Michael Turner.
Events
Opening Reception
Saturday, January 9, 2010, 2鈥�5 pm
Walking Tour with Michael Turner: 3pm
Lunchtime Tours of the Exhibition
January 12 and 13, 12:05pm
January 14, 12:35pm
The curator would like to thank all participating artists and writers. Also, Charo Neville, with whom Turner co-curated the 鈥淓xpanded Literary Practices鈥� section of the Ruins in Process: Vancouver Art in the Sixties website, as well as the site鈥檚 editors Glenn Alteen, Lorna Brown, and Scott Watson; and Catriona Jeffries Gallery, the Morris and Helen Belkin Gallery, Presentation House Gallery, Special Collections and Rare Books at 天美mv天美 Library, the Vancouver Art Gallery, Elisha Burrows and Charo Neville, Judith Copithorne, Henning and Brigitte Freybe, Glenn Lewis, Ian Wallace and Scott Watson for their loans. Special thanks to 天美mv天美 Gallery Director Bill Jeffries for his patience, guidance, and insight and to Gallery Assistant Adriana Contreras, who designed the publication.